One evening recently, I spotted a green tree frog sitting atop a “cockatoo” mosaic in the garden. He (or she???; how to tell???) was looking at me expectantly as if to say; where’s a mosaic of me?” What better way to honour those ubiquitous green tree frogs and also create a “memory reminder” than with an outdoor mosaic to be placed in the garden.
I found a beautiful piece of cut sandstone in a local landscape supply yard and thought it would be the perfect shape for the frog mosaic. There were gorgeous patterns and colours visible in the sandstone.
Firstly, I sketched the frog sitting on a tree branch. That seems appropriate as it is a green “tree” frog, after all. The patterns in the background on the sandstone represent other parts of the tree. A small pond of water at the bottom left was added to make the scene more interesting. Blue is also the complimentary colour to orange and just seems to work. Maybe this green tree frog is about to leap into the pond ??? Artworks should tell a story. It is up to the observer to decide what the story is.
Tiles were cut to shape, then stuck down with ceramic tile adhesive, suitable for exterior use. This “frog mosaic” was very challenging. It was difficult to cut some intricate pieces, especially the frog’s toes. Many pieces had to be cut several times due to unexpected breakages.
As the colour of the tiles are dark shades, I used a light coloured “bone” grout for contrast. Here is the completed mosaic.
]]>I decided to create a kangaroo ceramic tile mosaic to celebrate the wild kangaroos in the area. This mosaic, once completed, was placed in the front garden of our home. Who knows, it may just attract more kangaroos to our part of the neighbourhood.!
Firstly, the kangaroo was sketched onto the sandstone using a pastel coloured pencil. I chose two shades of grey ceramic tiles as the colour scheme; very appropriate for an eastern “grey” kangaroo. Darker grey ceramic tile pieces (tesserae) were cut precisely then placed in “shadow” areas on the kangaroo’s body to give more definition and depth.
Tiles were cut to shape, then stuck down with ceramic tile adhesive, suitable for exterior use. I added a grass tree as a point of interest and to introduce some more colours to the scene.
As the colour of the tiles are dark shades I used a light coloured grout for contrast. Here is the completed mosaic, positioned in our front garden. I love the colours in the sandstone, especially when wet. The colours and contrasts are much more intense. The patterns in the sandstone could be the trunks of trees surrounding the land where the kangaroos congregate.
Now just awaiting more kangaroos to come by.
]]>I came across a sandstone “stepping stone” in a local landscape supply yard and thought it would be the perfect shape for the mosaic of “Zinc” the horse. I love the natural patterns and colour tones that appear in cut sandstone slabs. Sandstone is well suited to outdoor placement, able to withstand the harsh elements of sun, wind, rain, changing temperatures.
Firstly, Using a photo as a reference, I sketched Zinc onto heavy gauge paper then cut out a template. That way, it can be moved around to find the best placement. I depicted Zinc rearing up, flinging his tail, a real action pose!
Zinc was a grey colour. I chose two shades of grey ceramic tiles as the colour scheme. The darker grey ceramic tile pieces (tesserae) were cut precisely then placed in “shadow” areas on Zinc’s body to give more definition.
Tiles were cut to shape, then stuck down with ceramic tile adhesive, suitable for exterior use.
The colour of the grout is just as important as the colour of the tiles. I have found that a smokey/light blue coloured grout goes well with grey tones. I added some phthalo blue and black pigments to a light grey coloured grout to produce a light blue coloured grout. I am really happy with the result.
After approximately twenty hours work the “Zinc pet portrait mosaic” was completed and delivered to its new home, my daughter Lauren’s back garden.
A long, narrow slab of sandstone was selected for this mosaic. Iridescent glass tiles were used for the fins and head area. Blue ceramic tiles were used for the tail.
The outline of the mahi-mahi was drawn on the sandstone using a pastel pencil.
The glass and ceramic tiles were stuck down with Thinset. For the body I used glass “drops” to represent scales, starting with blue shades just below the pectoral fin, then green to yellow moving down the body.
After all of the tiles were stuck down the adhesive was allowed to dry for 24 hours.
A bone coloured grout was then used to grout the mosaic.
The finished mosaic, designed for external display, was positioned in our garden.
]]>These ceramic elephants, intended as pot plant stands, are rather “thin skinned” and fragile. Several have “broken legs” and one, totally shattered.
These broken pieces have been laying around the garden for years.
I had the idea of using these broken pieces to create a mosaic of an elephant, on sandstone, as an outdoor garden decoration. I like the concept of mosaic art to create something beautiful from broken fragments of tiles, ceramics, stained glass etc.
I love the natural patterns and colour tones that appear in cut sandstone slabs and often these can form an integral part of the mosaic and background to form a complete scene, or tell a story. In this case, the lower section formed a natural dirt track, leading downhill from left to right; perfect for the elephant to be walking down the track. I added some ceramic tile rocks and boulders to the mosaic to further define the track and add some more points of interest to compliment the elephant and to fill out the scene.
After carefully cutting pieces to shape and glueing to the sandstone with Thinset adhesive it was then time to grout. The colour of the grout can “make or break” a mosaic. Initially, I tried a blue coloured grout as it looked good on another elephant mosaic I created earlier out of grey coloured tiles. That looked nice. However, it just didn’t work for these creamy coloured ceramic pieces so I changed the grout to a pinkish colour. That looks a lot better. Even our dog, Nala, approves. I think that is a look of approval!
I placed the completed piece at the end of the pool, flanked by two intact ceramic elephants.
If you would love a mosaic on sandstone piece for your garden, contact me to find out more. I can create a design to suit your needs for your garden. These also make the perfect gift for the garden and outdoor person in your life.
]]>After experimenting with a few designs, many of which were aborted, I settled on the following design. The giraffe was sketched on heavy gauge paper then cut out as a template that could be positioned on the sandstone. I then traced around the template with a pastel pencil to have the outline of the giraffe on the sandstone.
To add another layer of interest I decided to use matt brown ceramic tiles and gloss yellow tiles. I prefer to use ceramic tiles for outdoor mosaics as opposed to coloured glass. Ceramic tiles are more sturdy and colours are more solid. I do however, usually use coloured glass for the leaves of trees. I started with large ceramic tiles, smashing them into smaller fragments with a hammer. When required, these pieces (tesserae) were further shaped and cut using tile cutters and nippers. I position all tesserae onto the sandstone before sticking any pieces down with adhesive.
When I am happy with the placement of all tesserae I glue them down with thinset adhesive, suitable for external tiles.
After completing the giraffe I then cut coloured glass sheets for the leaves dangling down from the top of the sandstone slab.
Finally I used a bone coloured grout to contrast the darker brown tiles and compliment the yellow tiles.
I am very happy with the end result. I love the natural patterns and colour tones that appear in cut sandstone slabs, especially when wet, and often these can form an integral part of the mosaic and background to form a complete scene, or tell a story. In this piece, the sandstone background represents the trunk of the tree that the leaves are dangling down from. Do you see it?
Another gap filled in my daughter Lauren’s backyard. I think even her dog Simba likes it!
If you would love a mosaic on sandstone piece for your garden, contact me to find out more. I can create a design to suit your needs for your garden. These also make the perfect gift for the garden and outdoor person in your life.
]]>Initially, my idea was to position the elephant face on but after sketching it out, I wasn’t satisfied with that approach. It just didn’t look right. I love the natural patterns and colour tones that appear in cut sandstone slabs and often these can form an integral part of the mosaic and background to form a complete scene, or tell a story. In this case, the lower section formed a natural dirt track, leading uphill from left to right; perfect for the elephant to be walking up the track. I positioned the elephant side on walking up the track. I am instantly reminded of a family holiday to Chiang Mai, Northern Thailand, many years ago. We did indeed, travel up (and down) dirt tracks through the jungle on the back of elephants. This was a long time before the world was made aware of the conditions that some elephants live in when captured. Thankfully the place we went to was a conservation centre even back then. I'm not sure I would do the elephant trek again now though, knowing what I do about the plight of many captured elephants in Asia. Hindsight is a wonderful thing. At the time we thought we were helping by supporting such tourist attractions. At least now, I am more aware of, and better educated on environmental and conservation issues so that I can make more informed decisions next time
For this elephant mosaic art piece, I added some ceramic tile rocks and boulders to the mosaic to further define the track and add some more points of interest to compliment the elephant and to fill out the scene.
Firstly, I sketched the elephant onto heavy gauge paper then cut out a template. That way, it can be moved around to find the best placement.
I chose two shades of grey ceramic tiles as the main colour scheme for the elephant. The darker grey ceramic tile pieces (tesserae) were cut precisely then strategically placed in “shadow” areas on the elephant’s body. This gives more definition to the elephants body; a 3D effect. At least, that was the intention! A white gloss ceramic tile was cut for the tusk and toe nails on each leg.
For the rocks and boulders on the path, I used a brown ceramic tile and the same dark grey tile as used for the elephant to define shadow areas on the rocks and boulders.
I position all tesserae onto the sandstone before sticking any pieces down with adhesive.
When I am happy with the placement of all tesserae I glue them down with thinset adhesive, suitable for external tiles.
The colour of the grout can “make or break” a mosaic. I decided to experiment by adding some indigo dye to a bone coloured grout to produce a light blue coloured grout. I thought this would compliment the grey colours in the elephant. I am really happy with the result. Bone coloured grout was used for the rocks and boulders to contrast the brown.
As I mentioned earlier, I love the natural patterns and colour tones that appear in cut sandstone slabs. When wet, the colours and tones become more vibrant.
After approximately twenty hours work (not all in one sitting) the elephant mosaic was completed and delivered to its new home, my daughter Lauren’s back garden. Looks great but it looks lonely. How to fill in the other gaps in the garden bed ???
If you would love a mosaic on sandstone piece for your garden, contact me to find out more. I can create a design to suit your needs for your garden. These also make the perfect gift for the garden and outdoor person in your life.
]]>I am fortunate to be able to live in a culturally diverse country. Singapore is rich in a variety of beautiful places, wildlife, plant life, culture, history and traditions. With all of this brings new inspiration for exploring not only subject matter, but also exploring new techniques. It has also provided me the opportunity to participate in a number of workshops and courses.
I am also fortunate to be able to travel extensively in Asia and beyond, and to have experienced many different and diverse areas of the Seychelles, the Maldives, England, France, Australia, New Zealand and Fiji as well. Along the way I have been exposed to many interesting environments and been lucky to meet many interesting people. All of this combines to help become the artist I am today. But these experiences are only a part of the journey to developing and improving my skills.
In all careers personal development is vital to advance and improve. Over the past year I have participated in a number of workshops, courses and classes in a range of areas.
Here are just a few examples of my recent learning journey.
Museum Sketching Classes
The National Museum of Singapore is an amazing place full of history and culture. I completed two sketching classes here with Singapore-based artist and independent curator, Tang Ling Nah. In these workshops we visited the Treasures of the World from the British Museum exhibition to observe and record unique textures found on various artefacts such as statues, jewellery and tapestries. We then created designs based on these textures, using a range of materials from coloured pencils and paint to ink. We also took reference from selected portraits from the Treasures of the World exhibition, and learnt to sketch portraits using pencil on paper. Here are a few images from my Classes.
Watercolour Course
Watercolour was a completely new media for me. I had never experimented with watercolour before but was very keen to expand my knowledge and skill with a new media. I completed a 12 week course with the amazing Lucinda Law from Within. The course covered a variety of botanical watercolour skills and I learnt some amazing new techniques. Here are just a few images from the workshop and practice pieces.
Paint the Ocean Course
I completed an online course with the very talented Scott Christensen. Scott is an Australian artist who focuses on painting ocean and seaside landscapes in oil. This was an amazing learning curve for me, practising and honing new and old skills. I went on to create a number of oil canvases of seaside landscapes that are available for purchase in our shop. Here are a few progress shots from the Paint the Ocean course.
Pet Portrait Diploma
Pet portraits is something I have always been interested in, but was an area of my art that I really felt I needed some formal instruction to improve my skills. I completed a Pet Portrait Diploma with the London Art College. I am very pleased to say that I received my Diploma with a Distinction! It was a very rewarding and satisfying process and I am so happy with the progress I made over the duration of the course. I am pleased to offer Pet Portrait Commissions in a variety of media and sizes. 10 % of all our commissioned Pet Portraits go to support pet shelters In Singapore and on the Sunshine Coast, Queensland. If you would like to have your furry friend portrait completed, please contact us. Here are a few images from my Diploma Course
Basic Modern Calligraphy Workshop
At Red Brush Art we offer personalised name and birth samplers, as well as Save the Date and Wedding Stationary. I wanted to improve my calligraphy skills and this was a great workshop at Overjoyed in Singapore to pick up some tips on calligraphy. If you would like a personalised name sample, personalised birth sampler, or personalised wedding stationary, please contact us.
Cityscapes Zentangle Workshop
Zentangle is an amazing style of art using patterns to fill in shapes, be it flora, fauna or architecture. This was an interesting workshop where I was exposed to the basics of the Zentangle style. From this workshop I developed my own techniques and style to create many sketches with a "tangled" element. I found this technique very soothing and therapeutic, it was very easy to get lost in all of the patterns. Go to our Drawings page to view just some of the samples. More can be seen in our studio.
I'm constantly on the lookout for new workshops and courses that can help improve my skills or expose me to new styles and techniques. As an artist on a never ending journey to see where life and experiences can take me, my striving to learn is an important process in this journey. I hope you will join me on this journey
]]>As an artist I feel workshops and courses are a vital aspect in developing and improving my skills. Recently I completed a Diploma in Pet Portraits with London Art College. I am very happy to say that I was awarded a distinction for my work during the course and I am so pleased as that was such a great achievement.
Red Brush Art is pleased to be able to offer Pet Portrait Commission in a variety of media: pencil, pen, watercolour, acrylic and oil. We also offer various sizes and can include one or more of your beloved furry friends.
Pet Portraits make a wonderful gift for the pet lover, or animal lover in your family. It is a great way to have a lasting memory of that special member of your family. It may be a dog, cat, horse, rabbit, guinea pig, bird, reptile. The list is endless.
As well as Pet Portraits, we can also do animal portraits. If you have a friend or family member that is crazy about animals, then why not give them a special portrait. It might be zebras, penguins, giraffes, chimpanzees, tigers or any other animal. We can create a perfect portrait for you in either pen, pencil, watercolour, acrylic or oil. Here are a few examples
If you would like more information on how to go about organising a Pet Portrait or Wild Animal Portrait, we have a pet portrait tips page with lots of information. If you have any questions or would like further information please contact us.
At Red Brush Art we are aware of the plight of the rescue and stray dog worldwide. 3 1/2 years ago we rescued a 'Singapore Special'. Nala was only one week old when we fostered her, and fitted in the palm of our hands. She was part of a litter of 7 puppies found abandoned in a shipyard in Tuas.
Anyone who knew us knew we would never be able to hand her back, so at three months Nala officially became a part of our family. We joke she must be luckiest street dog in Singapore as she has a very good life here with us. She is always involved in whatever we are doing and I think her favourite activity is photo bombing as we are trying to take photos of the artwork! We've accepted and tried to help all of her anxious and fearful traits; she is a very special and much loved part of our family. However, not all street dogs are as lucky as Nala.
]]>It's always amazing to see our Red Brush Art story in print. We are so happy to have been featured in an article by Angela Manners from Vanilla Beige.
Vanilla Beige is an online publication that serves as a platform for curated and original content. They are all about life explored. It could be coffee, food, a personal journey or any obsession big or small. That is why they hand-pick and bring together writers and stories that they love and care about.
Their goal is to add depth and texture to up-and-coming brands, unique concepts and the people behind them. They look for a deeper connection, that additional information, an education and a more loyal readership, so we are truly honoured to have been featured in their blog.
You can read all about Red Brush Art in the article. Please share the article with your family and friends, and let us know what you think. Thanks Angela for your amazing article and your support.
]]>Earth Day is the perfect time to think about the planet we live on and how to protect and save it.
Every year, more than one billion people across the world mark the event by showing support for protecting our environment. Festivals, rallies and outdoor events are held in nearly 200 countries - often, with the support of A-list celebrities and political leaders.
But why do we celebrate Earth Day? Earth Day aims to encourage people across the world to be more environmentally friendly. This can be as simple as increasing the amount you recycle, volunteering for a local green project or installing solar panels in your home. It is also a great opportunity to get outside and be at one with our beautiful environment. You can celebrate Earth day in many ways, but here are a few ideas:
These are great ideas to celebrate our earth everyday, not just on Earth Day. The Care For Our Earth Range range features animals, flowers and environments that make up the beautiful earth we live in. We want to not only share the beauty that is our Earth, but we also hope it's a daily reminder to everyone of how precious and special our earth is and how important it is for every person, child and adult, to protect and nurture it. The packaging for our Care For Our Earth Range is made from recycled card, to also remind us how important it is to Reduce, Reuse and Recycle
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We also have a range of Easter Egg coasters that are being produced right now, featuring the beautiful Easter Egg images below. They would make the perfect gift for any family. As well, they would be fantastic for any child, an alternate gift to chocolate eggs and one that can be used all year round. Perfect for families that would like to reduce the amount of chocolate their children receive at Easter this year, or as a great addition to their Easter present.
We also have some Easter Mandala Colouring Pages that will be great for adults who enjoy the relaxative effects of colouring, as well as for children to decorate their rooms this easter. Pre orders are being taken now for the Tea Towel pack and the coasters. Delivery of the tea towels and coasters are expected mid March. The Colouring Pages are available now. Orders for all items can be made on the Shop now
]]>We are both very aware of the need to protect our environment and the wildlife that exists in the these environments. Maybe that's why Glenn has spent some time creating beautiful Hornbill artwork in a range of media, that could proudly hang on any wall, in any home, apartment, office or hotel lobby or room.
The Oriental Pied Hornbill (Anthracoceros albirostris) is a native bird of Singapore, and common to other areas of South East Asia. This hornbill is a fascinating bird that is distinguished by its large down-curved yellow beak and unique hollow structure (casque) above their bills.
During the mid 1800s, the Oriental Pied Hornbill disappeared from Singapore, driven away by hunting, destruction of the natural environment, food supply and nesting trees through clearing of forested areas. Around 1994, almost 150 years later, a air of the Oriental Pied Hornbills were once again seen in Singapore, on the offshore island of Pulau Ubin, mostly likely having flown in from mainland Malaysia.
In 2004, the Singapore Hornbill Project was launched in collaboration with the National Parks Board (NParks) and Wildlife Reserves Singapore. The projects key objectives were to gain a greater understanding of the species and engage in its conservation.
In conjunction with Jurong Bird Park, breeding programs were introduced. Now birds are released back into the wild and to aid the breeding in the wild artificial nests have been created. It is amazing to see such a small place working so hard to ensure the growth of the Oriental Pied Hornbill population.
The nest selection and breeding process is quite interesting. Hornbills are generally monogamous and the Oriental Pied Hornbills typically commence breeding in February. This coincides with the onset of rain and peak abundance of fruit.
Hornbills are secondary cavity nesters, meaning that they typically do not excavate their own nesting sites but use those created by other birds or by branches breaking off. Because hornbills rely on pre-excavated cavities, selection of suitable nest-sites within their environment has major impacts on breeding success.
When females have selected and entered their nest, they seal the cavity with a mixture of saliva, mud, fruit, droppings and tree bark, leaving only a small opening through which food may be passed in.
The male forages for the female and chicks, and the female feeds the nestlings. Chicks remain inside the nest with the female for several months until there are ready to fledge. Oriental Pied Hornbills have shown to return to their previous nest for subsequent nesting seasons.
The increase in population and the efforts being made by various organisations in Singapore are proving that it may never be too late to repair damage to the environment and the possibility of animals and humans coexisting in a modern civilization can be achieved. We must balance the need for progress and prosperity with conservation of the natural world.
10 minutes from where we live, we often go walking with our dog, Nala. It is not unusual to spot flocks of these hornbills in the trees there. Unfortunately people apparently still try to hunt these amazing creatures and capture to either sell, or destroy for their casques and feathers.
For this reason when birds are released back into the wild their location is not publicised.
They are truly beautiful birds when you are lucky enough to see them in their natural environment. Thanks to the ongoing efforts of many people, we have been lucky enough to experience this and be inspired to create and share Glenn's impression of the Oriental Pied Hornbill.
If you would like to learn more about the Oriental Pied Hornbill conservation projects in Singapore, there is an amazing book called “Hornbills in the City. A Conservation Approach to Hornbill Study in Singapore, by Marc Cremades & Ng Soon Chye.
The artwork above and below, depict 18 Oriental Pied Hornbills (9 in each panel) against a backdrop of modern Singapore. In Chinese culture, the number 9 represents eternal harmony. In a perfect world, modern civilisation and the natural environment would exist in eternal harmony. "Return of the Hornbill to Singapore " depicts this eternal harmony. Modern civilisation and nature coexisting in eternal harmony.
The media for all of the detail in this artwork is graphite pencil on paper. Pastel pencil was used to provide contrasting color for the background areas. This creates an interesting mood for the scene and highlights the detail. The framing method enables each piece to be hung separately or as a diptych (2 panels side by side).
Below is a snapshot of the hanging of 'Return of the Hornbill to Singapore Part 1 and Part 2' by the amazing William from Framing Angie (please excuse the quality of the images below, they were taken in very bad lighting on the iphone)
Old Woman Island, Mudjimba Beach, Sunshine Coast, Queensland, Australia | Acrylic on Canvas
Have you ever been in the situation where you need to leave your work, family and friends and follow your husband to another country for his work?
Lyn found herself in just that situation, when on January 1 2010, Lyn, Glenn and Ryan, their youngest son, left their older children Cameron and Lauren in their home on the Sunshine Coast, Australia, with Lyn's parents, to return to Singapore where they had previously lived as a family for 6 years.
Map of Singapore | Pen Sketch
It had been a very busy few years before this move for Lyn. Lyn had left her career as an Early Childhood teacher at one of the Private Schools on the Coast and set up her own photography business.During this time her parents health declined so she also took on a caregiver role. When they moved to Singapore Lyn decided she would take a break from working for a while and concentrate her time with Ryan as he finished school, while enjoying the wonderful experiences living abroad can present.
During their time in Singapore, Glenn began painting again, something he had done for many years previously, but with his heavy travel schedule from Australia he had found it difficult to find time to continue his passion.
Sharks Garden (from 'The Secret Life of Elephants' eBook) | Acrylic on Canvas Paper | Print | eBook
In 2012 Glenn entered some paintings into the first Kate Porter Yoga Art Festival and his work was well received. This encouraged Glenn to continue painting and explore and develop his skills and styles. In 2015 Lyn and Glenn set up Glenn Russell Creations. Due to changes in regulations, at the end of 2016 the business needed to be restructured, and Red Brush Art was born.
It was difficult coming up with a new business name.Lyn and Glenn wanted a name that could tie in with where they come from (Australia) and where they are now living (Singapore).Red is a colour of significance to both places.Australia and Singapore both have red on their flags.Australia has the 'Red Centre' and the red colour of the Australian Outback is something Australians love. Red is very significant in Chinese cultures and Singapore is also known as the 'Little Red Dot'. So red seemed very appropriate. Once they came up with the 'Red' as the common tie, the rest was much easier. Being an art business the 'Brush Art' seemed to flow. Red Brush Art was born.
Uluru | Acrylic on Canvas Paper
Glenn is the very talented artist providing all the original artwork for Red Brush Art.Lyn is the driving force behind the business and creator of the photographic prints available from Red Brush Art.
Red Brush Art creates a variety of original artwork in a variety of media and themes and is suitable for any age group.
There have been many inspirations for Glenn as he creates his masterpieces.Initially, back in the 80's it was for Lyn for her Early Childhood classes she taught.Then in the 90's, it was folk art decoration (inspired by the beautiful flowers found in the Blue Mountains and other areas in Australia) for handmade wooden objects including door stops, stools, wall plaques and clocks that Lyn's father turned on his lathe.
Mars Attacks (from 'Tigers Dream Too' eBook) | Print | eBook
Their three children, Cameron, Lauren and Ryan were the inspiration for Glenn's early paintings and picture books, after an imaginary friend, Tiga, jumped on top of their car one day as they were driving down Old Holland Road in Singapore, through what was still jungle in the mid 90's.Tiga then went on many adventures with them and was the inspiration for Glenn's first picture book.
From there Glenn loved exploring new styles and designs.He draws a lot of his inspiration from his surroundings.Australia, Singapore, and other countries Glenn visits on his travels for work, provide many beautiful subjects and inspirations that Glenn creates in paint (oil, acrylic and watercolour), pen and pencil.
Red Brush Art has recently expanded their product range to include a variety of print, stationery and gift products. Glenn is also available for Pet Portrait Commissions. Their full range is available from the shop.
If you would like your special art piece created, Red Brush Art is always happy to discuss your ideas and for Glenn to create them on Commission.Please contact them to discuss any ideas you have.
Lyn and Glenn love your feedback, so please share with them your ideas for new products and your impressions of their art and new website.
Please also use the links at the bottom of the page to 'Like' Red Brush Art on Facebook and 'Follow' them on Instagram and Twitter.Red Brush Art would also love you to share their Facebook page and Instagram feeds with your friends.
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